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More detailed information about stringed instruments and the history of violin making.


“The finest approach to handling wood”: Hieronymus Köstler


Notes on Hieronymus Köstler, expert for old stringed instruments, restorer and luthier, in Stuttgart, Germany


One of the top addresses in the world of historic instruments is the Stuttgart atelier of Hieronymus Köstler, where valuable violin-making masterpieces have been restored, appraised and traded since 1982. Below is a brief portrait of the Stuttgart expert for historic stringed instruments. At the tender age of 16, Hieronymus Köstler left his home town of Munich to study at the highly acclaimed Violin-Making School of Mittenwald and to learn, as he put it, “no doubt the finest approach to handling wood.” After completing his training as the youngest of his class, he took up his trade and diligiently applied himself to becoming a master in restoring historic stringed instruments. Two years later he had become a journeyman under Max Möller in Amsterdam, and following that he took the plunge and went to London, one of the foremost cities for trading historic instruments. There he spent four years at the famous atelier of J. & A. Beare Ltd.

Upon returning to Stuttgart, Hieronymus Köstler found the ideal environment for opening his own business. A mere four years after his studio was founded, there were ten journeymen in his employ, and he made his way into the small and exclusive circle of internationally renowned experts in restoring and appraising older stringed instruments. Köstler's appraisals enjoy the utmost confidence among musicians, collectors, merchants and investors around the world. It is obvious that violin expert Hieronymus Köstler's work as an appraiser is enhanced by the specialist knowledge and practical experience he gained as a violin maker and restorer. But the inverse is true as well: his finely-honed sensitivity as an expert informs the hands-on work he does on instruments. One of his guiding principles is not to allow the original to be altered by the restoration. If original wood is present, none of it should be removed: this means that any corrective procedure can be reversed if it turns out not to be ideal. Such strict and carefully considered standards have not only benefited the valuable historic instruments that are restored in Hieronymus Köstler's atelier – they also serve the many journeymen well who perfect their craft there.


Hieronymus Köstler · Hohenzollernstraße 16 · 70178 Stuttgart · GERMANY
Phone: +49 711 601 602

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New arrivals in our catalogue
  • Antique Mittenwald violin. Neuner & Hornsteiner, approx. 1900
  • Old, c.1920 German violin from Markneukirchen - warm, bright sound
  • Antique, silver mounted viola bow. Fine German work, c.1910
  • Markneukirchen violin bow. Made approx. 1940, strong, warm, tone
  • Fine French violin No 283 by Gustave Villaume, Nancy 1931
  • Fine soloist violin by Nicolò Gagliano, 1762 (certificate J. & A. Beare)
  • French violin bow. Marc Laberte, silver mounted
  • Fine violin bow. Silver mounted master violin bow, 1920's
  • Fine cello bow. Joseph Alfred Lamy père, Paris
  • Fine French 3/4 cello bow by Louis Bazin
  • Master viola No. 19, Klaus Schlegel. Erlbach / Markneukirchen 1988
  • Modern Italian viola, Stefano Conia, Cremona 1985 (certificate Stefano Conia)
  • Fine quality Markneukirchen violin bow. Knopf workshop, c.1880
  • Modern Italian violin. Giorgio Grisales, Cremona, 1993 (certificate Giorgio Grisales)
  • 3/4 - Fine French 3/4 violin, approx. 1910
  • Ernst Heinrich Roth concert violin, Bubenreuth, 1965
  • SALE / Master violin from Bubenreuth. Violin maker Bernd Dimbarth No. 64
  • Modern violin by Beare & Son. Beijing 1995
  • Antique violin, by Schuster & Co. Markneukirchen, 1927
  • Markneukirchen violin, Carl Gottlob Schuster jr. c.1890
  • German Violin by Braun & Hauser München. Approximately 1900
  • Old French violin. J.T.L. - Jerome Thibouville-Lamy
  • Violin op. 13 by Alajos Werner, Budapest, 1910
  • H. Emile Blondelet: French violin No. 235