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More detailed information about stringed instruments and the history of violin making.


Mittenwald: violin making “in the midst of the forest”


About Mittenwald violins, Mittenwald violin makers and the history of violin making in Bavaria


How and why violin making came to Mittenwald is still not fully understood, even though a great master of the craft,
Matthias Klotz (1653-1743), was known to be a key figure in the early days. The history of violin making loves its founding fathers, whether they be the mythical Tywersus of Mirecourt, the legendary Andrea Amati of Cremona or the patriarch of Vogtland violins, Caspar Hopf. The stories of these men's lives include genius and legend, and fittingly enough, some aspects remain in the dark. An intriguing veil of obscurity has also been drawn across parts of Matthias Klotz's biography: how did this tailor's son find his way back home after training in Padua? Where and for whom did he work in this period? What knowledge and influences did he absorb? And did he visit the great Stainer during his travels?


Economic history gives us more plausible reasons as to why Germany's second violin making centre (along with Markneukirchen) emerged in a Bavarian outpost that was quite literally “mitten im Wald,” in the midst of the forest. While the expertise of Bohemian immigrants formed the cornerstone of the musical industry in Markneukirchen, there were very different and quite advantageous conditions in Mittenwald. The altitudes of the Karwendel mountains yielded excellent tone wood; the town was located along the trade routes from Augsburg south to Bolzano and Venice, providing good opportunities for international sales; and last but not least, the location provided an opportunity to learn from the prominent masters in Tirol and northern Italy. It is no coincidence that the violins of the Klotz family, which shaped Mittenwald violin making well into the 1800s, reflected the traditions of Stainer and Amati.


Selling instruments in Mittenwald quickly took on a professional character: the first presumed “publisher” (i.e. broker) J. Baader hired a dependent violin maker in 1707. J.A. Baader & Co. became the most important violin maker in Mittenwald along with Neuner & Hornsteiner. As was the case elsewhere, Mittenwald violin making became industrialised in the 19th century to meet the high demand for simpler and more affordable instruments. In light of the growing specialisation and division of labour, King Maximilian II of Bavaria took steps to protect the craftsman knowledge that was the fruit of many generations: he founded the Mittenwald violin-making school. After WWI, the violin making industry in Mittenwald collapsed. It was not revived until after WWII and was distinguished by violins of outstanding quality. Nowadays visitors can tour the town's violin-making museum with its excellent collection and learn about the history of Mittenwald violins.



Related articles:

Matthias Klotz and pre-modern violin making in Mittenwald

Mittenwald violin makers - contemporary masters keeping their tradition alive with their vibrant craftsmanship

The Mittenwald violin making competition and other contests

Contemporary violin makers - the modern artisans

Samuel Zygmuntowicz: understanding Stradivarius

New arrivals in our catalogue
  • 3/4 -Antique 3/4 violin from Mittenwald, c.1880
  • Charles Louis Bazin: fine and powerful French cello bow (certificate J.-F. Raffin)
  • SALE: Old Mittenwald violin, J. A. Baader, c.1900
  • Bohemian student violin, c.1960/1970
  • 3/4 - warm and resonant sounding French 3/4 violin
  • SALE: Modern Italian violin, Piero Virdis, Pattada 2002 (certificate Piero Virdis)
  • SALE: Fine 18th century violin, Franz Knitl, Freising, 1769
  • Old German violin, circa 1910, with a warm, mellow sound
  • Magnificent French violin, François Caussin, Neufchateau approx. 1850 (certificate Hieronymus Köstler)
  • TONALLY IMPROVED: Fine violin by Ernst Heinrich Roth, 1962 (certificate E. H. Roth)
  • Fine quality viola by Ernst Heinrich Roth, 1958
  • 1/2 - Mittenwald violin, Sebastian Hornsteiner, 1970
  • 3/4 - small antique 3/4 sized Mittenwald violin, Eugen Gärtner stock
  • Fine 18th century violin, Klotz circle, approx. 1790 (certificate Hieronyms Köstler)
  • Christoph Götting, contemporary elite master violin
  • Giovanni Lazzaro, Padova 1990: Italian violin
  • Large French violin, "Nicolas Bertholini" by Laberte, Mirecourt
  • SALE: François Fent, a fine historic French viola of the late 18th century (certificate Hieronymus Köstler)
  • Cello bow by Franz Chalupetzky, c.1940
  • Swiss Finkel workshop, Silver mounted Cello bow
  • Ary France: Better quality French cello bow
  • SALE: French Cello bow by Ary France, Mirecourt approx. 1980
  • Silver mounted, Germany: Lightweight, softish violin bow
  • Silver mounted, after James Tubbs: English violin bow