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corilon violins

International violin making competitions: Ente Triennale Cremona, Concours Etienne Vatelot, VSA competition, Mittenwald violin making competition and other contests


International violin making competitions:
criteria, rules and areas of specialty at Ente Triennale Cremona, Concours Etienne Vatelot, VSA competition, Mittenwald violin making competition, China violin making competition, Wieniawski competition, BVMA competition, Violin Soul & Shape, The Strad contest, Wieniawski competition and Pisogne violin making competition



Rarely is the present-day manifestation of a 500-year-old art form as intensely tangible as at major international violin making competitions. They are an outstanding opportunity for world-ranking masters, especially those in the younger generation, to demonstrate their abilities and their appreciation of tradition and quality. Which acoustic and technical criteria are the defining standards of our time, and where will we encounter tomorrow's greatest talents? Below you can find our selection of important international violin making competitions, the instruments they focus on, and the rules and regulations.


Marcus Klimke viola

Marcus Klimke, contemporary elite master viola

Provenance: Chicago/Angers
Maker: Marcus Klimke
Length of back: 41.0
Year: 1995/1996

Contemporary Cremonese master violin, Daniele Scolari

Provenance: Cremona
Maker: Daniele Scolari
Length of back: 35.3
Year: 2003

Contemporary Italian master violin by Nicola Vendrame

Provenance: Venice
Maker: Nicola Vendrame
Length of back: 35.6
Year: 2004




13th International “Triennale ” Competition of Violin Making, Cremona


Since 1976, Ente Triennale Internazionale Strumenti Ad Arco, Cremona, the most significant of all international violin making competitions has been held in Cremona, the place where the creative and acoustic benchmarks of violin making were first developed and still live on today. Once every three years in September/October, "maestri liutai" from around the world have their instruments judged at Ente Triennale by a panel of five violin making experts and five musicians. Up to two stringed instruments each can be submitted to Ente Triennale in the categories violin, viola, cello and bass; they may not be more than three years old, must not be artificially aged, and have to meet traditional design standards. As a rule, applications have to be sent to Fondazione Stradivari, Museo del Violino, via Bell´Aspa n. 3, Cremona, Italy, by late April. Further information available on the website www.entetriennale.it (Italian only)


International Violin Making Competition, Mittenwald


Nestled between the Karwendel and Wetterstein mountains, Mittenwald has hosted the internationally renowned Mittenwald violin making competition every four years since June 1989. Unlike the Cremona violin making competition, here the twelve-member jury not only reviews the best violins, violas and celli but also judges bows, and all of them have to have been completed within the previous two years. Replicas and stringed instruments which do not comply with traditional craftsman standards may not be submitted to the Mittenwald violin making competition. Each participant may entire up to three works in different categories. Current rules and regulations are available at www.geigenbauwettbewerb-mittenwald.de


International violin making competition, Luby


Luby (Schönbach), a traditional violin making town in the Czech Republic, saw its instrument making school moved to Cheb in 2005, but nevertheless the first international violin making competition for school students and apprentices was held in Luby that same year. What makes the Luby violin making competition remarkable is that not only may luthiers enter violins patterned after Stradivari or Guarneri models; they can also submit works in progress which were crafted as part of a two-day, hands-on workshop open to the public. In 2012 another international instrument competition was held in Luby, featuring the categories violin, concert guitar and western guitar.


International Henryk Wieniawski Violin Making Competition, Poznan


Violins are the only instruments reviewed by the jurors at the Polish Wieniawski competition, which was first held in 1957 and is the oldest of its kind. The Henryk Wieniawski Musical Society holds the event approximately every five years. Like the eponymous violin competition, which has an even longer history, the Wieniawski contest has a solid international reputation. The rules and judging criteria are similar to those of the Cremonese Ente Triennale, and the three top instruments win monetary prizes. The 13th Wieniawski competition is scheduled for May 2016, with Roger Hargrave slated to lead the jury. The application form is available at www.wieniawski.com.


BVMA International Violin and Bow Making Competition, London


The BVMA International Violin and Bow Making Competition was first held in 2004 in London as part of "The Genius of the Violin Festival" of the Royal Academy of Music; over 350 violins and bows were judged for tone and craftsmanship. The BVMA Competition is only one of the many ways that the British Violin Making Association (BVMA) has been helping its members pursue continuing education and share ideas since 1995. To do justice to the subjective nature of such contests, each member of the BVMA competition jury awards his or her own prize. Modern pieces and replicas alike may be entered.


Concours Etienne Vatelot, Paris


The Concours Vatelot is another internationally important violin making competition which emphasizes highlighting the best examples of contemporary artisanal violin making. To date, there have been four Concours Vatelot contests ? held in 1991, 1999, 2004 and 2011 ? at which a jury of five violin making experts evaluated violins, violas, celli, basses and the corresponding bows for their maturity of style, dexterity of handwork and sound quality. There is only one major prize per category; the second prize wins a diploma of honour. Up to two works per participant may be presented at the Concours Vatelot. Registration information and documents are under www.civp.com.


International Violin Making Competition, Pisogne


With its focus on antiqued instruments and replicas, this violin making competition in the Lombard town of Pisogne is quite unique. The 2014 Pisogne violin making contest was the fifth to be held. Non-professional violin makers and students of the craft can also enter their works, and the judging is divided into three rounds and based on acoustic and technical and artistic qualities. The three top candidates receive medals. The application form is available at www.anlailiuteria.it or www.stradivari.it (both sites Italian only).


China International Violin Making and Bow Making Competition, Beijing


The growing influence that China has attained in the stringed instrument making industry over the past few years is evident in the the two events of China violin making competition which were held so far in Bejing 2010 and 2013. The 2013 China violin making competition in particular was widely acclaimed: it was much greater in terms of the scope and number of participants, and no fewer than 18 jurors evaluated traditionally designed violins, violas and celli as well as violin, viola, cello and bass bows to assess their artisan craftsmanship, artistic execution and acoustic merits. The next China violin making competition is scheduled for 2016. Up to three stringed instruments in a maximum of two categories or up to four bows in one category are allowed. The application form can be found at www.civmc.com.


The Strad Bow and Cello Making Competition, Manchester


The Strad competition - Beginning in 1988, Manchester began hosting the International Cello Festival of the Royal Academy of Music every other year. American cellist Ralph Kirshbaum founded the event and remained the artistic director of the festival until its 2007. In parallel to the Manchester International Cello Festival, cello and bow makers from all over the world can present their works to a jury of specialists.


The International Violin Makers Competition Violin: Soul and Shape, Moscow


As the fifth discipline of the legendary international Tchaikovsky Competition, the violin making competition "Violin: Soul & Shape" has been held in Moscow since 1990. The Violin: Sound & shape event takes place at four-year intervals and is held before the main competition. Classic styles of violins, violas, celli and bows which meet the usual design guidelines may be submitted, as can replicas of historic instruments and bows as well as "free forms" with no limitations on the shape, material and colours; they fall into the subcategories of acoustic and electronic instruments. The three best pieces win medals, and special diplomas may be given as well. There is no age restriction on stringed instruments submitted. The Violin: Sould & Shape application form can be downloaded at www.violin.soulandshape.ru.


VSA Violin Making Competition


The VSA violin making competition of the Violin Society of America has been held every year since 1973, making it the world's most frequently held event of this nature. The VSA competition takes place every summer at different venues throughout the US and enjoys international repute. Individual stringed instruments and the corresponding bows can be submitted to the VSA competition, and entire quartets can also be evaluated (co-productions are permitted). Multiple gold medals may be awarded if the jurors are unanimous. The adjudication criteria include artistic merit, workmanship and tone. Online registration for the VSA competition is available at www.vsa.to/conventions-competitions



Related articles:

Contemporary violin makers - the modern artisans

Contemporary violin makers from China and Taiwan

Marcus Klimke: a highly decorated luthier

Christoph Götting: excellence by tradition

Stephan von Baehr and the architecture of the violin

Patrick Robin - a master of teaching an the craft

Samuel Zygmuntowicz: understanding Stradivarius

Jan Špidlen - Art, innovation – and sport

New arrivals in our catalogue
  • Cremonese master violin, Piergiuseppe Esposti, 1998 (certificate Piergiuseppe Esposti)
  • Antique German Maggini violin, probably Schuster & Co. Markneukirchen - suitable for fiddle, folk & Irish traditional
  • Outstanding Czech Violin by Mathias Heinicke, student of Eugeni Degani in Venice, 1911
  • German Violin by Ludwig Gläsel jr., Markneukirchen
  • Recommendable Italian violin, 1970's, probably Giudici - warm, golden sound
  • 3/4 - old German 3/4 violin after Stradivarius, dark tone
  • Old German violin, c.1900, with a warm, large sound
  • Outstanding German violin, Saxony approx. 1910
  • Ernst Heinrich Roth, Markneukirchen, fine 1922 violin - Guarnerius model
  • Powerful Mittenwald violin from the Mittenwald violin-making school, 1960's
  • Outstanding Markneukirchen violin bow, approx. 1910
  • French violin bow by Louis Joseph Morizot, known as Morizot père
  • WORKED OVER/ NEW SOUND SAMPLE: 3/4 - violin, elegant French "Copie de Stradivari"
  • Fine German violin bow, Knopf workshop, approx. 1890
  • Old French violin bow, J.T.L. "Sarasate maitre" model
  • Modern French soloist viola, Jacques Camurat, Paris 1958
  • STOLEN: Léon Victor Mougenot 1912, French violin,
  • Justin Maucotel: A powerful French violin, c.1840
  • Excellent French violin, Collin-Mézin (fils), 1936, No. 671
  • François Fent, a fine historic French viola of the late 18th century (certificate Hieronymus Köstler)
  • Franco Albanelli, 1991: A fine contemporary Italian violin (certificate Hieronymus Köstler)
  • Fine French violin bow by E. Sartory (certificate J.F. Raffin)
  • Giuseppe Pedrazzini, fine Italian violin (certificate J. & A. Beare)
  • 3/4 - Antique French Médio-Fino 3/4 violin, approx. 1870