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corilon violins

“The finest approach to handling wood”: Hieronymus Köstler


Notes on Hieronymus Köstler, expert for old stringed instruments, restorer and luthier, in Stuttgart, Germany


One of the top addresses in the world of historic instruments is the Stuttgart atelier of Hieronymus Köstler, where valuable violin-making masterpieces have been restored, appraised and traded since 1982. Below is a brief portrait of the Stuttgart expert for historic stringed instruments. At the tender age of 16, Hieronymus Köstler left his home town of Munich to study at the highly acclaimed Violin-Making School of Mittenwald and to learn, as he put it, “no doubt the finest approach to handling wood.” After completing his training as the youngest of his class, he took up his trade and diligiently applied himself to becoming a master in restoring historic stringed instruments. Two years later he had become a journeyman under Max Möller in Amsterdam, and following that he took the plunge and went to London, one of the foremost cities for trading historic instruments. There he spent four years at the famous atelier of J. & A. Beare Ltd.


Upon returning to Stuttgart, Hieronymus Köstler found the ideal environment for opening his own business. A mere four years after his studio was founded, there were ten journeymen in his employ, and he made his way into the small and exclusive circle of internationally renowned experts in restoring and appraising older stringed instruments. Köstler's appraisals enjoy the utmost confidence among musicians, collectors, merchants and investors around the world. It is obvious that violin expert Hieronymus Köstler's work as an appraiser is enhanced by the specialist knowledge and practical experience he gained as a violin maker and restorer. But the inverse is true as well: his finely-honed sensitivity as an expert informs the hands-on work he does on instruments. One of his guiding principles is not to allow the original to be altered by the restoration. If original wood is present, none of it should be removed: this means that any corrective procedure can be reversed if it turns out not to be ideal. Such strict and carefully considered standards have not only benefited the valuable historic instruments that are restored in Hieronymus Köstler's atelier – they also serve the many journeymen well who perfect their craft there.


Hieronymus Köstler · Hohenzollernstraße 16 · 70178 Stuttgart · GERMANY
Phone: +49 711 601 602

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New arrivals in our catalogue:
  • French violin No. 388 by Amédée Dieudonné, 1948
  • Powerful Mittenwald violin by Ottomar Hausmann
  • Outstanding German violin, Saxony approx. 1920
  • Old silver mounted cello bow, probably H. R. Pfretzschner, strong and active
  • Recommendable antique German violin with a warm, resonant sound
  • Old Mittenwald violin by Neuner & Hornsteiner, Landolfi model, 1929
  • Elegant old Markneukirchen violin, 1940's, oil varnished
  • Fine unstamped master Cello bow, Markneukirchen, 1910/1920
  • Fine silver mounted cello bow, Gustav Prager, approx. 1930
  • Mario Gadda, modern Italian violin after Oreste Candi, 1984
  • 1/8 - French 1/8 violin by J.T.L.
  • Mario Gadda, Italian violin after Stefano Scarampella
  • Antique German violin after Maggini, Markneukirchen, approx. 1900
  • German Silver mounted violin bow: bright, somewhat mellow tone
  • Excellent old German violin bow, 1930's, Johannes Adler
  • 19th century: Antique German violin from Saxony, c.1850
  • 3/4 - powerful old German 3/4 violin, prob. A. C. Glier
  • Old Czech violin - "The Metro Violin Class"
  • WORKED OVER AND TONALLY OPTIMIZED: Mittenwald violin, Johann Reiter 1961
  • Bavarian master violin, approx. 1800 (certificate Hieronymus Köstler)
  • Fine Markneukirchen master violin, 1940's: Large, mature tone
  • Good German violin bow, W. E. Dörfler
  • Italian violin, Archimede Orlandini, Parma 1985
  • Fine English violin, late 18th century