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More detailed information about stringed instruments and the history of violin making.


Violin making in western Bohemia and the Vogtland region


Schönbach and Graslitz: The history of violin making on the Bohemian-German border


In the 19th century, the new constellation of violin making in the economic region of the border between western Bohemian and the Vogtland evolved into a highly efficient division of labour. It went on to shape the wide-scale musical culture of Europe and the U.S. with the large numbers of cost-effective instruments it yielded. Smaller workshops throughout the entire binational area built instruments and, more notably, instrument parts to large-volume merchants who sold them internationally at top profits. In Schönbach, nearly 150,000 violins were produced each year in the late 19th century – along with 200,000 violin backs! These admirable figures clearly illustrate the economic structure of the instrument “publishing” business, as it was called.

There were, however, downsides to the industry's success. One was the massive need which prevailed amongst the families, who were completely financially dependent; the other was the dubious reputation of the lower-quality industrial products which to this day still clings to the era's Bohemian-Saxonian stringed instruments. Schönbach and Graslitz in particular were home to only a few violin makers who were able to create an instrument and all its parts from scratch– and who could afford the time to do so. However, their works – which were often purchased anonymously – had quite good acoustic and aesthetic properties, and these old Bohemian-Saxonian instruments do not deserve the fundamental disdain they frequently are given.

The Schönbach instrument makers experienced a minor form of emancipation from the supremacy of Markneukirchen around the turn of the 20th century when they founded two production cooperatives and established their own brokers. As a result, they were able to export some 20% of their own production by themselves. Within the interlinked business structure of the region, Schönbach stood out as the key centre for trading tonewoods, some 700 train cars of which were sold each year.


Related articles:

Crossing borders: on the history of violin making in western Bohemia

The second phase: the more recent history of violin making in western Bohemia

Markneukirchen: violin making in “German Cremona”

Klingenthal: the origin of violin making

H. R. Pfretzschner

Hopf: a dynasty of Vogtland violin makers

Ernst Heinrich Roth: a rediscovered master

The bow makers of Markneukirchen

Noteworthy families of Markneukirchen violin makers

New arrivals in our catalogue
  • Interesting old Czech violin after Ruggeri. Made approx. 1920
  • German-Bohemian violin, patterend after Klotz, approx. 1900
  • 3/4 - Fine Mittenwald 3/4 violin by Neuner & Hornsteiner, approx. 1850
  • Modern German violin bow. By Roderich Paesold - excellent
  • Georges Coné: French soloist violin no. 73. Lyon, 1937
  • 3/4 - antique 3/4 sized Mittenwald violin, Eugen Gärtner stock
  • Antique violin from Saxony, after Antonio Stradivari, approx. 1880
  • Fine Swiss master violin by August Meinel, 1926
  • Interesting violin, probably Italian 1920's
  • Justin Derazey, French violin dated approx. 1880
  • Fine Mittenwald violin. After Aegidius Kloz, c.1800
  • SALE: German violin. Made in the 1950's
  • Fine French violin bow. Marie Louis Piernot, Paris (certificate J. F. Raffin)
  • Fine Italian violin. Milanese, Liuteria Italiana Luigi Mozzani, 1921
  • Antique German violin. Max Osterode, Stuttgart, 1915 No. 23
  • German Markneukirchen violin bow, approx. 1940 - warm tone
  • 1/4 - Rare French 1/4 violin, approx. 1850
  • Petite French viola: Joseph Nicolas fils, Mirecourt, 1849
  • Excellent old German violin bow. Sweet, fluid sound, 1950's
  • 19th century violin from Mittenwald, approx. 1850
  • German Markneukirchen violin bow, silver, with a blank frog
  • Albert Nürnberger: Powerful silver mounted violin bow
  • Fine cello bow. Joseph Alfred Lamy père, Paris, c.1895 (certificate J.-F. Raffin)
  • Fine contemporary viola bow. Rudolf Neudörfer, Bubenreuth