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More detailed information about stringed instruments and the history of violin making.


Noteworthy families of Markneukirchen violin makers


Introducing some noteworthy families of Markneukirchen violin makers: Heberlein, Hamm and Roth


Vogtland violin making is not to be equated with the large number of cheap instruments that were sold throughout the world in the 18th and 19th centuries. Markneukirchen was the home of – and the venue for training – several international violin makers and violin-making masters who worked in such places as the U.S., Russia and numerous major European cities. Many of those who remained in the Vogtland region, however, also shared the same high standards of quality and solid innovation.

One of the most prominent families of violin makers in Markneukirchen was the Heberleins, who created a strong international name for themselves. Their most famous member is Heinrich Theodor Heberlein jr. (1843-1910), who was renowned for the excellent quality of his instruments and was awarded multiple honours, including Knight of the Saxonian Albrecht Order. Johann Gottlob Heberlein (1782-1856) was a good violinist and a craftsman who enjoyed experimentation. In 1813 he joined forces with a manufacturer of brass instruments to make a brass violin – an interesting, “interdisciplinary” chapter in the history of Markneukirchen instruments!

Johann Gottfried Hamm (1744-1817) was also part of a large family of Markneukirchen violin makers and was one of the few who was successful with his fake Italian labels. Indeed, his meticulous work, especially his pieces which featured partial inlays with ivory trim, was often incorrectly attributed to Italian schools.

The name of the family Roth stands for producing industrial and yet quality-conscious Markneukirchen violins. Gustav Robert Roth (b. 1852) learned his trade in the famous Leipzig studio of Ludwig Christian August Bausch. In 1873 he founded a factory of stringed instruments and jointly managed it with his son Ernst Heinrich Roth (1877-1948) from 1900 onward. Ernst Heinrich was an outstanding violin maker who perfected his art during his extensive travels through Europe. Another member of the family, violin maker Otto Roth, created a truly unique piece for the opera orchestra in Chicago: a huge bass violin with a body measuring 2.10 m and an overall height of 4.20 m. The Roth company is still operating, and further information about the history of the Roth family can be found on the its website.



Related articles:

The bow makers of Markneukirchen

Klingenthal: the origin of violin making

On the history of violin making in western Bohemia

Ernst Heinrich Roth: a rediscovered master

Markneukirchen bow maker HR Pfretzschner

Hopf: a dynasty of Vogtland violin makers

Silent electric violins - a guide to technical standards and quality characteristics

Mittenwald violin makers - contemporary masters keeping their tradition alive with their vibrant craftsmanship

New arrivals in our catalogue
  • Auguste Sébastien Philippe Bernardel (Bernardel Père): Fine violin No. 8, 1827 (certificate Hieronymus Köstler, Hamma & Co. Stuttgart)
  • WORKED OVER AND OPTIMIZED Italian violin, Raffaele Calace e figlio 1929 - violinist's recommendation!
  • Rare English violin by John Crowther, Holburn, London, 1788
  • WORKED OVER AND OPTIMIZED Georges Coné: Fine French violin no. 73. Lyon, 1937 - violinist's recommendation!
  • Contemporary Italian violin, Franco Albanelli workshop, 1997
  • Fine Hungarian Violin op. 13 by Alajos Werner, Budapest, 1910
  • 1930's French violin "Lutherie Artistique", Laberte
  • German 3/4 violin by Louis Dölling, Jr., Markneukirchen 1934
  • Modern violin of quality, handmade 1980/1990
  • Fine soloist violin by Nicolò Gagliano, 1762 (certificate J. & A. Beare)
  • Good French viola bow, probably Morizot workshop
  • Fine violin of the Thir circle / school, approx. 1750 (certificate Hieronymus Köstler)
  • WORKED OVER AND OPTIMIZED Josef Rieger, 1927: Old Mittenwald violin
  • Interesting old Master violin, approx. 1900 - violinist's recommendation!
  • Contemporary English violin, Elspeth Noble 1991 - Guarnerius model, Violinist's recommendation!
  • WORKED OVER AND OPTIMIZED 18th century violin, Franz Knitl, Freising, 1769
  • 3/4 - Neuner & Hornsteiner, 3/4 violin from Mittenwald
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  • WORKED OVER AND IMPROVED Mario Gadda violin modeled after Stefano Scarampella
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  • SALE Contemporary Italian violin, Francesco Frassani, Cremona 2006 (certificate Frassani)
  • Modern Italian violin, probably Mario Gadda, Mantova
  • Cristiano Ferrazzi, Verona: Italian violin op. 120
  • Excellent 1960's Markneukirchen violin bow