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corilon violins

Markneukirchen: violin making in “German Cremona”


Markneukirchen or German Cremona: introduction to the history of violin making in the Vogtland region, Saxony


His great sense of regional pride and healthy spirit of self-confidence are what inspired Markneukirchen violin maker Ludwig Gläsel jr. (1842-1931) from Markneukirchen in Saxony to print the words “German Cremona” on his violin labels. Ludwig Gläsel was, after all, one of the finest and most successful master craftsmen of his day from the Vogtland region, and he also made a name for himself with several publications about the history of making violins. As a member of a well-established and large Markneukirchen family of violin makers, he was certainly entitled to the brash pride that led him to rank the main village of the "Musikwinkel" region (the "musical corner" on the border between Saxony and Bohemia) alongside the legendary name of Cremona.


Or was his label perhaps intended as a sly wink? After all, during the approximately 350 years in which musical instruments were built in Markneukirchen, the town did not always enjoy an unblemished reputation. Around the mid-1700s, Carl Wilhelm Heber saw the need to put an additional label inside one of his Markneukirchen violins:


Viel falsches nachgemacht
Sich da and dort schleicht ein,
Drum sieh mein Petschaft an
Willst nicht betrogen seyn.
Many an impostor
Can sneak in here and there
Take heed you read my seal
Or buyer, please beware


Those who deal with old violins are all too familiar with these false labels that claim Italian provenance as well as famous – or at least famous-sounding – names. In the “Musicon Valley,” as Markneukirchen's region is sometimes now called, people understood what was popular and knew that time would tell. There are many Markneukirchen violins that reveal their Saxonian heritage only upon closer examination by the trained eye.The people of Markneukirchen have more than enough reason to be proud of their violin making tradition, however. The history of building violins in the Vogtland region began in the mid-16th century, and as was the case in the neighbouring town of Klingenthal, Protestant émigrés from nearby Kraslice (Graslitz) in Bohemia brought their art to Markneukirchen, and with it arose an important new branch of industry ...



New arrivals in our catalogue
  • Strong, active violin bow, by Karl Heinz Richter, Silver
  • Roger François Lotte, fine French violin bow
  • French violin bow, Mirecourt, probably J.T.L., approx. 1920
  • Very fine French viola bow by Pierre Testa, Paris (contemporary)
  • Fine antique Mittenwald Neuner & Hornsteiner violin, approx. 1860
  • Powerful German violin bow, Richard Geipel
  • Fine Italian viola by Marcello Martinenghi, 1949 (certificate Eric Blot)
  • Modern handmade Markneukirchen violin, by E. Wenzel 1992
  • Jacques Camurat, 1958: A French Paris master violin
  • Albert Nürnberger: Powerful silver mounted violin bow
  • French master violin No. 34 by Paul Hilaire, 1950
  • From the estate of Prof. Günter Szkokan: Fine viola by Ferdinand Kugler, Vienna, 1973
  • Old Bohemian / Czech violin, approx. 1930
  • Fine French violin, Andre Coinus, Mirecourt 1927
  • Antique Mittenwald violin, c.1910, inventory of Eugen Gärtner Stuttgart
  • Luigi Lanaro, Padova, modern Italian violin, 1975 (certificate Eric Blot)
  • Jean-Joseph Honoré Derazey: French master violin (certificate Hieronymus Köstler)
  • Contemporary Italian master violin, Virgilio Cremonini, 2012
  • Italian violin, Francesco Cossu, 1979
  • Older Italian violin with a golden sound, 1970's
  • Giuseppe Lucci, fine Italian viola, Rome 1967 (certificate Eric Blot)
  • Modern Italian violin, Piero Virdis, Pattada 2002 (certificate Piero Virdis)
  • 3/4 - German 3/4 master violin, A. Fritsch, 1950
  • Decorated, antique 1850's German Klingenthal violin