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More detailed information about stringed instruments and the history of violin making.

corilon violins

Corilon violins: violin makers and master violin makers in Munich - experiments and innovations

Violin shop services

Our atelier for violin making and restoration:

Open mondays through fridays 9 am to 6 pm


Corilon violins • Lilienstrasse 2 • D-81669 München • Germany
Phone: +49 (0)89-444 19 619 • Fax: +49 (0)89-444 19 620

Our offers and services

  • Old stringed instruments

  • Violin shop service repairs

  • Professional violin tone adjustment

  • Consignment sales

  • Certificates and appraisals

  • Bring in or send in your instrument: Corilon's violin shop and luthier services

    Since 2003, several thousand old stringed instruments have passed through the hands of the violin makers at our workshop where instruments are made and restored. Our highly qualified luthiers and violin makers have spent long years of intense work dealing with a variety of different design standards, distinctive physical and acoustic properties, and a wide range of forms of damage. They have a rich wealth of experience which is rare, even when compared to international violin shops.

    No matter whether your string instrument is historic or contemporary, it is in the best of hands when you bring it to the specialists at our workshop in Munich. Our violin makers will dedicate the same expertise and excellence to your violin, viola, cello and bow which we give to every instrument in our catalogue – a standard which has already won over musicians around the world.

    Especially when it comes to maintenance and tonal adjustment, our violin makers uphold the highest possible craftsman and aesthetic quality, focusing the breadth of their experience and carefully coordinated services to preserve the value and musical properties of your instrument. With the greatest sensitivity for an instrument’s original condition, we develop convincing solutions in terms of restoring varnish, meticulous touch-ups and re-varnishing, and patching simple and complicated cracks.

  • Corilon's "sound package" for your instrument: we will give the instrument a new bridge and sound post and adjust them with the greatest precision until these central elements of the instrument's acoustic properties have been set up perfectly.

  • Specialised tonal adjustment: over 3,000 instruments in our catalogue have already been set up at our workshop, and this wealth of experience is tangible, even when we are performing routine tasks. Our "Sound package" is available for € 350 (violin) and € 400 (viola).

  • International service: you do not need to come by personally to take advantage of the services our workshop provides. Our experience in shipping valuable stringed instruments ensures rapid and safe transport both within Germany and around the world.

  • Replacement instrument: if you bring us your violin, viola or cello in person, we would be happy to lend you a replacement while your instrument is with us.

  • Premium materials: we exclusively use top-quality materials when repairing your instrument or adjusting its sound. When a restoration to a musically sensitive area is necessary, we take the greatest care in selecting woods with aesthetic and resonant properties that perfectly harmonise with the original substance.

  • The highest quality standards: our luthiers constantly work on historic master instruments which call for the utmost in craftsman ability; this sets the benchmark at our workshop.

  • Prompt returns: You can rely on us to return your instrument to you promptly at the date we have agreed upon.

  • Every procedure that our luthiers recommend is discussed with you in advance so that you are always aware of the kind of repairs being made and the costs you can anticipate. This applies to repairing the damage that results from accidents or the consequences of improper storage as well as routine maintenance, minor repairs and tonal adjustments. Our experience in internationally shipping delicate string instruments means you can also take advantage of our experts’ services even if you are unable to come to Munich yourself.

    >Some tips about violin care and maintenance



    Optimizing the sound of your string instrument at Corilon violins

    The core competences at our master violin shop have grown to encompass extensive experience in both restoring valuable old string instruments and in developing nuanced techniques for tonal adjustment. Since we work for sophisticated musicians, the tonal adjustment of each individual violin, viola and cello in our catalog is our utmost priority. The vast numbers of different instruments we have handled since we founded our violin shop in 2003 along with the individual tonal specifications of our clients have helped the team at our master workshop to become the outstanding experts that they are in tonal adjustment, the ultimate discipline in the art of violin making. The services we offer range not only from modeling the delicate resonant properties and making sensitive minor modifications such as adjusting the sound post; we also consult with you about the best technical and physical conditions for your instrument. A professional violin tone optimization is available for € 280 - € 350 (VAT included).

    When you visit our Munich shop and spend time with our luthiers, you can find inspiration as you try out a customized selection of excellent bows which will unlock the surprising acoustic potential of the instrument you love. Our experience in shipping delicate string instruments internationally also allows you the opportunity to take advantage of professional violin tone optimization or tonal adjustment even if the trip to Munich is too far for you.

    Corilon violins: Munich violin makers and master violin makers and the joy of experimentation in conservative craft

    Munich has long been known as a city of art: luminaries such as Orlando di Lasso worked at the court of Duke Albrecht V during the Renaissance, whereas King Ludwig I transformed the capital of Bavaria into "Athens on the Isar" with his ambitious construction projects. By contrast, however, Munich itself is not widely considered a city of violin making. Despite the great names that line its history, such as Johann Paul Alletsee (1684-1733) and Giuseppe Fiorini (1861-1934), it never achieved the name in violin-making that places such as Füssen or Mittenwald did. Nevertheless, in keeping with Munich's reputation for its unconventional and multi-facetted artistic and cultural life, there were indeed some interesting original thinkers amongst the violin makers who worked in Munich.

    One example of a trailblazer is Matthias Johann Kolditz, a master violin maker who was active in the first half of the 18th century and built slender models featuring lower arches than were common in his day. As a technically proficient master, he created eye-catching nonconformist pieces, including a viola with ribs that had multiple curvatures, as well as instruments with beautifully carved rosettes placed under the fingerboard near the soundholes. One of the finest Munich violin makers of the 19th century was Andreas Engleder (1802-1872), a highly sought-after repairer who taught important masters such as
    Johann Kriner (1834-1883), who in turn went on to become the first director of the Mittenwald violin-making school. In his work, Engleder pursued interesting attempts at integrating new contours into stringed instruments. This was a major departure from the classic Italian templates of Stradivari and Guarneri. Engleder experimented with a pear-shaped violin and was inspired by contemporary influences to create pieces such as violins patterned after the body of a guitar.

    In our time, innovative approaches can be seen in the work of violin maker and physicist Martin Schleske. Much like the famous American researcher Joseph Nagyvary, Martin Schleske has dared the to bridge the gap between craftsmanship and the natural sciences by working with tools such as computer-aided vibration analyses to explore the enigma of a violin's sound. He patented a technique that improves the resonance of violins by using the fungus Xylaria longipes to reduce the density of tonewoods. Innovative minds like Martin Schleske and Nagyvary act as catalysts in a field that is mindful of its traditions and conservative, a craft whose great masters were also great observers and quietly did research on their own. Striking a balance between the work of a laboratory and that of an luthier's atelier can be successful and fruitful, as is evident not only in the highly respectable instruments that these violin-making researchers have created. Other proof of this interdisciplinary approach can be seen is in another context – using dendrochronology to determine the age of wood has become a recognized method in violinmaking history.

    Short list of other violin makers and master violin makers in Munich:

  • Geigenbaumeister Wolfgang Löffler: Geigenbau, Handel, Reparaturen, Spezialist für E-Geige - Haidhausen, Tel. 089 48998760

  • Lijsen& Wiest: Geigenbaumeister, Neubau, Restaurierung, Expertisen - München Sendling, Tel. 089 72069860

  • Bogenbaumeister Markus Wörz: Bogenbau, Handel, Reparaturen - München Neuhausen-Maxvorstadt, Tel. 089 5231240

  • Hermann Wörz Geigenbau GmbH: Geigenbau, Reparatur, Verleih - München Neuhausen-Maxvorstadt, Tel. 089 525988

  • Geigenbau Peter Erben: Geigenbau, Reparatur, Verleih - Tel. 089 522517

  • Fischer Geigenbaumeister GmbH: Geigenbau, Reparatur, Verleih, Expertisen, Handel - München Pasing, Tel. 089 884594

  • Geigenbau Peter Benedek: Geigenbau, Reparatur, Bratschen - München Altstadt, Tel. 089 266654

  • Geigenbaumeister Michael Jaumann: Geigenbau, Reparatur - München Neuhausen, Tel. 089 1299556

  • Robert Eibl: Geigenbaumeister - München Isartor, Tel. 089 4488721

  • Geigenbauatelier Jörg Trautmann: Reparatur, Geigenbau -München Neuhausen, Tel. 089 188501

  • Nicholas Gooch und Irina Feichtl: Geigenbau, Bogenbau, Neubau, Reparatur - München Schwanthalerhöhe, Tel. 089 66652013

  • Martin Schleske: Geigenbaumeister, Neubau - Gauting, Tel. 089 21031782

  • Related information:

    Returns and refund policy

    Trade guarantee

    Shipping costs

    Consignment sales


    Corilon violins • Lilienstrasse 2 • D-81669 München • Germany
    Phone: +49 (0)89-444 19 619 • Fax: +49 (0)89-444 19 620

    New arrivals in our catalogue
    • Rare violin by Christoph Friedrich Hunger, Leipzig, 1776
    • Old German violin from Saxony, approx. 1920
    • Old Italian violin, Officina Claudio Monteverde, Cremona 1921
    • Couesnon, antique French Mirecourt violin, Mirecourt approx. 1910
    • Charles Claudot "Le Marquis de lair", antique French violin, approx. 1850
    • Antique Hopf violin of Klingenthal, approx. 1840
    • WORKED OVER; SOUND SAMPLE: 18th century Markneukirchen viola, c.1780
    • WORKED OVER; NEW SOUND SAMPLE: Fine contemporary master violin, Wolfgang Schiele, Munich
    • Modern Italian viola, Stefano Conia, Cremona 1985 (certificate Stefano Conia)
    • WORKED OVER; NEW SOUND SAMPLE: French master violin No. 34 by Paul Hilaire, 1950
    • French "Rugginelli" violin, sold by Beare & Son, 1902
    • 3/4 - Fine French 3/4 violin, approx. 1910
    • Excellent French violin, Collin-Mézin (fils), 1947, "Le Victorieux", No. 120
    • Franco Abanelli, Italian violin - Bologna, 1997
    • Charles Nicolas Bazin: fine silver mounted violin bow, c.1885, after Lupot - noble, classy tone
    • Contemporary Italian violin, Gianni Norcia, Bologna
    • Giulio Cesare Gigli, fine 18th century Italian violin, approx. 1760 (certificate Etienne Vatelot)
    • TONALLY IMPROVED: Good Schönbach viola, Ferdinand Fischer, 1935
    • Cremonese master violin, Piergiuseppe Esposti, 1998 (certificate Piergiuseppe Esposti)
    • Fine Markneukirchen viola, Johann Christian Voigt II, 18th century
    • Modern Mittenwald viola, Matthias Klotz 1982
    • Fine Italian viola by Marcello Martinenghi, 1949 (certificate Eric Blot)
    • 1/2 - antique 19th century French 1/2 violin, c.1870
    • WORKED OVER AND TONALLY IMPROVED: Ernst Heinrich Roth, Markneukirchen, fine 1922 violin - Guarnerius model