Search:
corilon violins

Search

Instrument finder

What kind of sound are you
looking for?
You can select one or more search fields and combine them however you like.

Instruments
Provenance
Year
Tone

Archive

More detailed information about stringed instruments and the history of violin making.


Tertis model: German viola by Alois Schöttl, Ludwigshafen 1938
Tertis model: German viola by Alois Schöttl, Ludwigshafen 1938
Provenance: Ludwigshafen
Maker: Alois Schöttl
Length of back: 40.0 cm
Year: 1938
Tone: Bright, clear, sweet
Archive

Tertis model: German viola by Alois Schöttl, Ludwigshafen 1938

An experimental design by violist Lionel Tertis inspired master luthier Alois Schöttl from Ludwigshafen to craft this unconventional viola with a beautiful sound. It is an exquisite interpretation of the concept Tertis developed in conjunction with English violin maker Arthur Richardson: they made their findings available to interested luthiers and provided comprehensive documentation. The underlying idea of maximizing the sound body of the viola is an obvious and effective approach which fundamentally distinguishes this viola from other new interpretations such as the one Antoine Marius Richelme created by incorporating subtle geometric alterations. The musically significant characteristics of the Tertis viola include not only the striking broad contours but fine details such as the purfling set close to the rising table and higher ribs at a minimal interval to the margin of the top. The excellent execution of these design details shows that Alois Schöttl was an outstandingly trained and experienced luthier, although hardly anything else is known about his background and career. Finely grained spruce for the top and the gently flamed maple of the two-piece back are premium-quality tone woods coated by a delicate golden oil varnish. Subtle crackling and traces of use call attention to the fact that this instrument with its highly modern sensibility is actually a rare antique, and one which has been played by very good musicians. We carefully set up this viola at our workshop and made it ready to play, and we now offer it in top condition. The only repair that was made is minor and is concealed from view under the tailpiece. We warmly recommend it to sophisticated musicians who are looking for an instrument with an unusually open, sweet and bright voice.

Order a certificate of appraisal with this viola, the certificate option is available in the shopping cart.

Share it, make it social


New arrivals in our catalogue
  • SALE: Antique German violin, 1920's, Markneukirchen
  • Interesting violin, probably Italian 1920's
  • Justin Derazey, French violin dated approx. 1880
  • Fine Mittenwald violin. After Aegidius Kloz, c.1800
  • SALE: German violin. Made in the 1950's
  • Fine French violin bow. Marie Louis Piernot, Paris (certificate J. F. Raffin)
  • Fine Italian violin. Milanese, Liuteria Italiana Luigi Mozzani, 1921
  • Antique German violin. Max Osterode, Stuttgart, 1915 No. 23
  • German Markneukirchen violin bow, approx. 1940 - warm tone
  • 1/4 - Rare French 1/4 violin, approx. 1850
  • Petite French viola: Joseph Nicolas fils, Mirecourt, 1849
  • Excellent old German violin bow. Sweet, fluid sound, 1950's
  • German Markneukirchen violin bow, silver, with a blank frog
  • 19th century violin from Mittenwald, approx. 1850
  • Fine contemporary viola bow. Rudolf Neudörfer, Bubenreuth
  • Petite, late 18th century Italian violin, central Italy (certificate Hieronymus Köstler)
  • H. R. Pfretzschner viola bow, a strong player, c. 1940
  • Christian Friedrich Meinel, master violin from the Vogtland region, circa 1760
  • 18th century English violin, approx. 1760. Probably James Preston
  • Fine soloist violin by Nicolò Gagliano, 1762 (certificate J. & A. Beare) - financial investment
  • Giuseppe Pedrazzini, fine Italian violin (certificate J. & A. Beare) - financial investment
  • Bavarian violin from the Krauss workshop, Landshut 1954
  • Fine cello bow. Joseph Alfred Lamy père, Paris, c.1895 (certificate J.-F. Raffin)
  • Fine Mittenwald master violin, c.1740, Sebastian Klotz circle