Archive

More detailed information about stringed instruments and the history of violin making.

International violin making competitions: Ente Triennale Cremona, Concours Etienne Vatelot, VSA competition, Mittenwald violin making competition and other contests

Eugène Nicolas Sartory: the modern classic of bow making

Mittenwald: violin making “in the midst of the forest”

John Dodd: a legend of oyster shells and silver spoons

Vatelot-Rampal: on the art of healing violins

Violin makers and masters: archive "J-L"

Nicolas Lupot, the second great name in French violin making

French violin. Probably J. T. L., after J. B. Vuillaume

This good French violin was made in Mirecourt around 1910, a copy of J.B. Vuillaume as indicated by the labe. It was probably made in the J. T. L. Workshops. It has a striking outline, distinctive soundhole and a transparent yet luminous golden-orange varnish, all marked by the style of the most prominent figures in French violin making that was prevalent in the mid 19th century. Its unique character distinguishes this Mirecourt violin from many of its sisters which hail from his productive workshop. The musical appreciation this good violin has received can be seen by some traces of intensive use, especially on the back, which is crafted of wonderfully flamed maple. The violin was meticulously worked over by our luthier and is offered crackfree, ready to play. The aesthetic of this affordable French violin is as fascinating and enigmatic as its sound, powerful, rich in volume, mature and large, suitable for advanced players and beginners alike.