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corilon violins

Eugène Nicolas Sartory: the modern classic of bow making


Eugène Sartory: the life and work of the great Parisian bow maker and classical master of his art


Bows made by the Parisian master Eugène Sartory have ranked among the most sought-after items in modern instrument building for over 100 years. His aesthetically perfect and outstandingly balanced pieces can be seen as refined interpretations of models by François Nicolas Voirin and Joseph Alfred Lamy père. These bows have become classical standards for bows that follow the tradition of the great François Xavier Tourte.

Sartory was born on 22 September 1871 in Mirecourt and learned his craft from his father. Before he was even twenty, E. Sartory began working for Charles Peccatte in Paris in 1890. Shortly afterward, Sartory studied under the legendary Joseph Alfred Lamy Père before opening his own studio on the Boulevard Nouvelle in 1893. In the twelve years that followed, Eugène Sartory perfected his own model which he continued to produce at the same high and amazingly homogenous quality standards throughout his lifetime. This high benchmark is one of the most noteworthy characteristics of genuine E. Sartory bows, and it explains their famous attributes.

Rare violin bow by Eugène Sartory Paris

French violin bow by E. Sartory, Paris, approx. 1910

Provenance: Paris
Maker: Eugène Nicolas Sartory
Weight: 56.8 g
Year: 1910 circa

Eugène Sartory Paris, fine violin bow, approx. 1920 - frog

French violin bow by E. Sartory, approx. 1920

Provenance: Paris
Maker: Eugène Nicolas Sartory
Weight: 63.2 g
Year: 1920 circa

E. Sartory worked predominantly with dark pernambuco in his earlier period, whereas his later years were “blonder.” Throughout his career, however, he gave his bows luxurious details that featured ebony, exquisite silver and gold fittings, and tortoiseshell thumb leather of lizard skin. Compact and perfectly shaped heads rank among the more distinctive features of E. Sartory's “signature”.

The enduring relevance that E. Sartory attained in the world of music from early on can be seen by the numerous copies and forgeries of his bows that started becoming widespread around 1920. Strangely enough, his importance is also reflected in the obituary that mistakenly appeared in “The Violinist” in 1914, incorrectly reporting that the master had fallen in WWI. Eugene Sartory's great name was also due in part to his students, upon whose work he had a major impact: Louis Morizot (1874-1957) in Paris and Hermann Prell (1875-1925) in Markneukirchen both went on to become internationally renowned bow makers themselves. Louis Gillet (1891-1970), whom many soloists saw as a master whose craftsmanship equalled Sartory's, worked with him from 1934 until his death on 5 March 1946.



Related articles:

The Ouchard dynasty of bow makers

Charles Nicolas Bazin: the great name of Mirecourt bow making

Louis Bazin, Bazin's grandchildren: bow making in turbulent times

Contemporary violin makers - the modern artisans

Eric Blot, expert of Cremona and Italian violin making

W. E. Hill & Sons – on the Mt. Parnassus of the art of violin making

Jean-François Raffin: ten hours - and not a word

Jean-Baptiste Vuillaume - notes to his life and work

John & Arthur Beare, Beare's, London: expertise in changing times

Jérôme Thibouville-Lamy - J.T.L.

New arrivals in our catalogue:
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  • Outstanding German violin, Saxony approx. 1920
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  • Old Mittenwald violin by Neuner & Hornsteiner, Landolfi model, 1929
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  • Fine unstamped master Cello bow, Markneukirchen, 1910/1920
  • Fine silver mounted cello bow, Gustav Prager, approx. 1930
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  • 1/8 - French 1/8 violin by J.T.L.
  • Mario Gadda, Italian violin after Stefano Scarampella
  • Antique German violin after Maggini, Markneukirchen, approx. 1900
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  • Excellent old German violin bow, 1930's, Johannes Adler
  • 19th century: Antique German violin from Saxony, c.1850
  • 3/4 - powerful old German 3/4 violin, prob. A. C. Glier
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  • Italian violin, Archimede Orlandini, Parma 1985
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