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More detailed information about stringed instruments and the history of violin making.

corilon violins

Morizot père et frères: the short history of a great family of bow makers

Louis Joseph Morizot and his sons: Two generations of important Mirecourt bow makers

Louis Joseph Morizot and his sons are among the most important French bow makers of the twentieth century. Louis Joseph Morizot, called Morizot père and his sons, Morizot frères, took up the mantle of the modern classic Eugène Sartory and established one of the most successful ateliers in their hometown of Mirecourt.. Like many other bow makers of his time, Louis Morizot's career grew from humble working-class origins in the late 19th century. He was born on 22 March 1874 in Darney, a town in the Vosges mountains of France. The son of an ironworker, he was the second bow maker in his family; the first was his grandfather Guillaume Maline (1792-1859). However, Louis Morizot might also have been encouraged to take up the profession by his father-in-law, Charles Claude Bourbon (1846-1914), a carpenter who also built violins and may even have arranged Louis Morizot’s first business contacts.

Violin bow by Louis Morizot père, Mirecourt

French violin bow, Louis Joseph Morizot

Provenance: Mirecourt
Maker: Louis Morizot
Weight: 60.6 g
Year: approx. 1925

French violin bow by Louis Morizot Frères, Mirecourt - frog

French violin bow, Morizot Frères

Provenance: Mirecourt
Maker: Morizot Frères
Weight: 62.9 g
Year: approx. 1950

The young Louis Morizot learned his art in the atelier of Eugène Cuniot-Hury (1861-1912) and went on to prove his talent under Charles Nicolas Bazin (1847-1915), who at the time was the most influential master in Mirecourt. However, the most important influence on Louis Morizot’s work came from the great Eugène Sartory (1871-1946), for whom he worked from around 1914 until 1919 when he opened his own atelier at no. 5 Rue Saint Georges. Starting in 1920, this is where he trained five of his six sons in bow making; none of them ever left the family’s atelier to work elsewhere. Their close family partnership was the foundation for the major success of "Louis Morizot et ses Fils", and the company soon provided bows to all violin makers in Mirecourt and many renowned ateliers throughout France. Several awards at a major exhibition of handicrafts in Paris attested to the good reputation of the atelier, which had long since attained the same standard as Bazin’s workshop.

In 1937 the brothers took up the management of the family company and ran it under the name "Morizot frères". In a perfectly organised division of labour, each specialised in the task most suitable to his talents. Louis Gabriel Morizot worked primarily on bass bows and frogs and Marcel Louis Morizot on simpler sticks. André Auguste Morizot was the most skilled “bender” and produced the best bows ornamented with silver and gold. Paul Georges Morizot was responsible for winding, hairing and polishing the bows, and Paul Charles Morizot, who was known as “le chef”, ran the business but produced frogs in whatever spare time he had. After World War II, the Morizot freres experienced a ten-year period of extremely high productivity in which they achieved their greatest business success. One can only guess as to why they were not successful in passing the torch to a third generation. Was the carefully balanced approach to family production too inflexible to offer opportunities to grandchildren or talented apprentices such as Bernard Millant? Did the strict adherence to the traditional bow model play a role? As French bow makers began to strike out on new paths in the 1960s, the Morizot freres saw their star begin to fade. Their business went into decline starting with the death of the father on 15 August 1957, which was followed by that of Paul Georges on 23 July 1959. Marcel Louis died on 16 February 1969; Paul Charles exactly one year later. After the atelier closed in 1970, Louis Gabriel retired to Vittel, living there until 2 June 1988. André Auguste Morizot moved in with his youngest brother René Morizot (1917-2001), the only member of the family to become a violin maker, and worked as the family's last bow maker until his death on 6 February 1978.

Related articles:

The fathers Bazin: the great name of Mirecourt bow making

Bazin's grandchildren: bow making in turbulent times

The Ouchard dynasty of bow makers

On the history of industrial factories in Mirecourt

Mirecourt's new masters: contemporary violin makers in Mirecourt

New arrivals in our catalogue
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  • WORKED OVER; NEW SOUND SAMPLE: Fine contemporary master violin, Wolfgang Schiele, Munich
  • Modern Italian viola, Stefano Conia, Cremona 1985 (certificate Stefano Conia)
  • WORKED OVER; NEW SOUND SAMPLE: French master violin No. 34 by Paul Hilaire, 1950
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  • Historic French violin, Remy, Paris approx. 1840
  • 3/4 - Fine French 3/4 violin, approx. 1910
  • Contemporary Italian violin, Gianni Norcia, Bologna
  • Giulio Cesare Gigli, fine 18th century Italian violin, approx. 1760 (certificate Etienne Vatelot)
  • TONALLY IMPROVED: Good Schönbach viola, Ferdinand Fischer, 1935
  • Cremonese master violin, Piergiuseppe Esposti, 1998 (certificate Piergiuseppe Esposti)
  • Fine Markneukirchen viola, Johann Christian Voigt II, 18th century
  • Modern Mittenwald viola, Matthias Klotz 1982
  • Fine Italian viola by Marcello Martinenghi, 1949 (certificate Eric Blot)
  • 1/2 - antique 19th century French 1/2 violin, c.1870
  • WORKED OVER AND TONALLY IMPROVED: Ernst Heinrich Roth, Markneukirchen, fine 1922 violin - Guarnerius model
  • Fine 18th century Mittenwald violin, petite and elegant, approx. 1780
  • Old Mittenwald violin, Josef Rieger, 1927
  • Ernst Heinrich Roth, old Bubenreuth violin from 1955, certificate
  • English viola by Alan McDougall
  • 3/4 - old Mittenwald 3/4 violin: mature, clear sound
  • Fine French violin bow, for Paul Serdet
  • TONALLY OPTIMIZED: Interesting Southern Italian violin, early 20th century
  •  Contemporary Italian master violin by Nicola Vendrame, Venice